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In a town like LA, most residents seldom consider the train or bus as a means to get where they need to go. Granted, LA is a town spread out, with industries that need to move around.
Many years ago the possibilities of public transportation wained in the face of the combustion engine and the rise in popularity of cars. This and the monopolizing of street cars by GM and their alies.
Little Radio will continue to partner with our friends Global Inheritance, to get people out of their cars in LA.
Even if just for a night. Everything counts.
Check the gallery soon for event pics.

Division Day
Beartrap Island
2007 | Eenie Meenie
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You
hear that? It’s the sound a band exhaling from over a year of toe
tapping, nail biting, and screaming into pillows. But now that all the
weight has been lifted Division Day prove once again
that their music has staying power by shattering that boulder of
anxiety into 14 tightly wound tracks. The album is loaded with angular
guitar chords and blasts, stabbing synths, and a muscular rhythm
section. Beartrap Island also throws in a few new added songs that are arguably the band’s most driving and tense moments.
The
record starts off with a sustain-heavy guitar line, the title track,
and bursts into a new addition entitled “Ricky”. Pulsating with needles
of synth this song demands to be played on alternative radio formats
everywhere; can we get a video too? Division Day never specifically
focus on one instrument as the main event either. Instead, they utilize
their collected talent to write catchy hooks that are intricate and
full of bright melodies. The gripping rhythms and soaring vocals on
“Lights Out” and “To The Woods” seize your attention because there are
so many great parts to listen to within each verse or chorus.
“Colorguard” contrasts the quartet’s pop bombast with a dreamier and
stark feel. And the anticipating feedback on “Tap-Tap, Click-Click”
displays real power within a super-catchy tune, as equally satisfying
as “Ricky”. Did I mention I liked “Ricky”?
Beartrap Island is one of the most complete and cohesive sounding albums from any L.A.
artist, pick any city for that matter, I’ve heard all year. Rather than
sounding derivative or exhausted, the album is longer than normal, the
sounds and arrangements manage to keep the listener engaged at every
turn.
-Scott McDonald