Select Date

The calendar requires Javascript.

Archive

Search
Join our Mailing List
Archive
August 2010
July 2010
June 2010
April 2010
March 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
June 2006
May 2006
April 2006
February 2006
December 2005
November 2005
May 2005

An Interview with Hayden

Hayden has come a long way from his introduction to the U.S. as the heir to the folky mope-rock throne over a decade ago. His new album, In Field & Town, is instrumentally his most fully realized to date. He sat down earlier this month with Aquarium Drunkard prior to his show at Local 506 in Chapel Hill, North Carolina, and discussed the new album, evolution in his songwriting, the differences between Canadian and U.S. touring and audience anomalies in Philadelphia.

Aquarium Drunkard: You've got a new record out called In Field & Town and I wanted to ask you a bit about some of the responses to the record. Some people, long time fans, feel thrown for a loop off of the first track. They felt a stylistic or recording change - can you talk about the recording process for the album and if there were any conscientious style changes in what you've been doing over the years?

Hayden Desser: Well, it's funny you mention that, 'cause being on tour now I've noticed especially seeing previews of my show coming up and people saying 'folky Hayden' or 'if you're in the mood for a nice, mellow, poetic show then come to this' sort of thing. And it's funny 'cause what we're doing right now is mostly up tempo with a lot of instrumentation. Why this album and that change? I just had a lot of fun adding instruments to the songs and I wanted to not have too many songs with a mid-tempo - I feel that some of my albums have too many of those and it's something I kind of naturally go to and I wanted to get away from that a little bit. So the three main differences would be the tempo thing, putting a ton of instruments on a bunch of songs and the fact that a lot of them were written on piano and that kind of added a different kind of texture. I just play a different sort of rhythm when I'm writing on piano.

AD: At this point you've been recording and releasing albums for a little over a decade. How do you feel your songwriting process has evolved over the decade you've been releasing music?

HD: Well, I like to think that my recording techniques are better now than they were and I don't know. I write less and I scrutinize my songs more than I did 12 years ago. But I don' t know. It's hard to look at it as a big picture kind of scenario and dissect what it is that's different or what the exact progression is. I'm not sure. You need to tell me that. [laughs]

Read More

Mon Jun 30 2008 · Posted in Daily on littleradio.com

Black Kites - Paper Heart

Get Flash Player to see this clip.

Directed by Michael Grodner

Video for Black Kites' "Paper Heart" from the Paper Heart EP.

Mon Jun 30 2008 · Posted in Music Videos on littleradio.com

Primal Scream - Can’t Go Back

Get Flash Player to see this clip.

Directed by Kim Gehri

Video for Primal Scream's "Can't Go Back"  from Beautiful Future.

Mon Jun 30 2008 · Posted in Music Videos on littleradio.com

F-YEAH! Tour Rolls Through Austin

Last nights show was amazing.  Big up to all of the bands and to Sean for putting together a great showcase.  We will have more photos and videos from this event once we all wake up.  Stay tuned.

 

Here are some photos from last nite's show from local blog Sounds Like Austin:



 

Sat Jun 28 2008 · Posted in Daily

This Weekend at the Mohawk: BORIS!

Complete with dual necks, orange stacks, and custom smoke machines, Boris returns to the Mohawk to blow the Red River power grid into little pieces of smoldering stoner metal alloy.  This video was filmed at last years Mohawk show by our friend Gates Bradley.  In other news, Austin Energy had to purchase more electricity from the world in order to service the extreme energy needs this Saturday.

Get Flash Player to see this clip.

Dont miss openers Torche and Clouds

Show @ 9

Fri Jun 27 2008 · Posted in

Radar Bros - When Cold Air Goes To Sleep

Get Flash Player to see this clip.

Directed by Bradley Beesley

Video for Radar Bros "When Cold Air Goes To Sleep" from Auditorium (Merge).

Fri Jun 27 2008 · Posted in Music Videos on littleradio.com
Page 1 of 12 · 1 2 3 >  Last »

Everything Else