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It’s Wednesday, and that means it’s time for Nick Courtright’s weekly first glance at just-discovered music, whether it be just-released, just-leaked, or some long-lost gem that has remained under the radar. Click here for other recent editions of Hot Off the Press, featuring acts such as Animal Collective, Deerhunter, TV on the Radio, M. Ward, White Denim, and Grizzly Bear.

released March 31 on Almost Gold
Report Card: C+
Peter Bjorn and John, blessed as they can be, have for a while appeared to be dodging accountability for the unexpected leap into international fame caused by “Young Folks,” and that song’s ubiquity (think radio, think television, think McDonald’s, think JC Penny), put the somewhat awkward north-Euros into a spotlight their personalities weren’t quite prepared for. That fact has been evident in their declining live show, as what was once a bouncy and playful romp through retro-rock and white guy dance moves has turned into a mostly joyless electronic sleepwalk, complete with a lack of connection to the audience befitting a band with audience to spare. To PB&J’s benefit, they haven’t fallen asleep at the experimental wheel, as their clever post-Writer’s Block misdirection Seaside Rock (a slight make-up for Peter Moren’s hideously bland solo album) wandered through instrumental and field recording reels, thus refusing to whet the appetite of a legion of pop-fanatics desperate for another tune to whistle into the ground.
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by Nick Courtright
It’s Wednesday, and that means it’s time for Nick Courtright’s weekly first glance at music discovered in the last seven days, whether it be just-released, just-leaked, or some long-lost gem that has remained under the radar. Click here for other recent editions of Hot Off the Press, featuring acts such as of Montreal, Vivian Girls, Bodies of Water, White Denim, Conor Oberst, The Walkmen, The Bug, Fight Bite, and Grizzly Bear.
Peter Bjorn & John – Seaside Rock

to be released on September 23 by Almost Gold Recordings
Report Card: B
Nothing like flaunting the international fame and acclaim you got with a dyed-in-the-wool pop album by making its follow-up an instrumental collection destined to be slept on by most everyone who was chanting your name last year. But at the same time, while Writer’s Block got all the teenagers in a tizzy with the dazzlingly poptastic “Young Folks”—not to mention the rest of the album, which was undoubtedly one of the last five years’ most solid and unabashed homes for catchy-as-hell sugar hooks—Seaside Rock is a testament to a band who’s willing to say a little bit of “fuck you” to the slavering masses, a testament that declares that musical integrity and continued exploration are more important to this band than a continued assault on the tender eardrums of the thoughtless youth. Either that or they’re running away, like pansies, from expectations.